Pyramids of Mars Part Four

The one where Sutekh places his mind inside the Doctor's...

Sutekh's emerald eye rays seem extremely powerful and painful, judging by the way the Doctor writhes in abject agony. Tom Baker was always very good at playing pain and agony, he always seemed so convincing. Sutekh's powers genuinely appear to be absolute, and some of the things he says are, as Melanie Bush might say, utterly evil. He says that, if he wishes, he can keep the Doctor alive for centuries, racked by the most excruciating pain, or he may choose to shred his nervous system into a million fibres.

The confrontation between the Doctor and Sutekh is well written and performed, with some juicy dialogue for both by the hands of Robert Holmes and Lewis Greifer. Sutekh refers to the Doctor as a "plaything", and justifies his destructive tendencies quite admirably: "Your evil is my good... Where I tread I leave nothing but dust and darkness. I find that good." The subsequent abasement of the Doctor before him is quite upsetting for younger viewers. It must be one of the very few times we witness the Fourth Doctor in such a pathetic, helpless state before his adversary.

Pyramids of Mars Part Three

The one where Laurence's late brother calls round...

The Doctor's coldly alien approach to the loss of human life continues in part 3, first of all when he reminds Laurence yet again that his brother is dead. He describes Marcus as an animated human cadaver, driving his point home as gently as a bull in a china shop. Michael Sheard is really good here, giving a silent nod in agreement as he stifles a sob. Laurence is really put through the emotional mill in this story, and Sheard is more than up to the job. Tom Baker is also on fine form, barely containing the Doctor's anger at Laurence's bungling. "Stay here!" he growls as he heads back to the Priory (although once again, loyal Sarah refuses!).

The scene where Marcus Scarman pays his brother a visit at the Lodge is beautifully played by Sheard and Bernard Archard. It's inevitable what's going to happen, but to see Marcus struggle against Sutekh's influence as he tries to remember when he was human (when he was alive!) is remarkable. "I was... Marcus," he gags. Laurence is desperate, almost pathetically so, in his efforts to "save" his brother, but the Osirian's hold is too strong, and there's only one way this is going to end.

Pyramids of Mars Part Two

The one where Marcus Scarman brings Sutekh's gift of death to his best friend...

Poor Namin's death sounds terribly painful and agonised, doesn't it? Well done to Peter Mayock for making his character's demise sound so convincingly unpleasant, making the viewer squirm in their seat despite the fact the Egyptian was a nasty piece of work. The dark figure becomes the cadaverous Marcus Scarman, who we haven't seen since the first scene of episode 1. He now looks pale and undead, a walking corpse animated by the will of Sutekh. Bernard Archard looks suitably horrific in pale make-up and red raw eyes.

Marcus has arrived so that he can take control of operations in England, and orders the mummies to take up the generator loop canopic jars and position them at the four compass points to activate a barrier to secure borders around the Priory. It might have been wiser if Sutekh had got Namin to do this earlier, to make sure fewer people were trapped inside the barrier.

Pyramids of Mars Part One

The one where the TARDIS lands at UNIT HQ before it becomes UNIT HQ...

Egypt! Somehow Doctor Who and Egypt feel like they go together well, especially during this particular era when stories were barely disguised reworks of favourite horror/ fantasy situations. Pyramids of Mars is obviously a riff on The Mummy, and is the second far-flung Earthbound location in Season 13 so far (yes, back in 1975, having a story set in Scotland was unusual enough to be called "far-flung"!).

It opens with a British Egyptologist discovering a hidden tomb jam-packed with reliquaries and ancient artefacts untouched since the first dynasty of the pharoahs (around 3,000BC). Professor Marcus Scarman typically dreams of plundering these cultural artefacts for his own ends, like every other British explorer of the period. But one thing's for sure: he won't get much help from the locals, as typified by his aide Ahmed, who flees in terror at the very sight of an Eye of Horus hieroglyph. Ahmed's fear doesn't quite make sense, as the Eye of Horus symbol represents protection, royal power and good health, intended to protect the pharoah in the afterlife and ward off evil. So what he's scared of I don't know. Scarman would appear to at least understand the reaction, as he calls Ahmed a "superstitious savage", suggesting there may be something to be feared historically...