Showing posts with label The King's Demons. Show all posts
Showing posts with label The King's Demons. Show all posts

Tuesday, September 21, 2021

The King's Demons Part Two



The one where the TARDIS gains a new crewmember...

The title of this story unusually refers to the Doctor and his companions, rather than any particular threat or destination. King John refers to the Doctor, Tegan and Turlough as his "demons", which got me wondering how many other story titles are simply alternative ways of describing the regulars. It all begins, of course, with An Unearthly Child (Susan) and The Firemaker (the Doctor), but there's also The Myth Makers (the Doctor, Vicki and Steven), and at a stretch, The Face of Evil (the Doctor). More recently we've had stories such as The Runaway Bride (Donna), The Lodger (the Doctor) and The Magician's Apprentice/ The Witch's Familiar (Clara), among others, but The King's Demons is a particularly potent example.

Anyway, where were we? Ah yes, the Master's revealed himself, and Tegan reveals herself to be a dab hand at knife-throwing, although the renegade Time Lord also has a trick up his sleeve when he manages to catch the knife in flight without even looking. There's a lot wrong with this sequence, particularly for younger viewers, as it shows a companion casually hurling a knife at someone's head, and also suggests it's easy to catch a knife safely. It's the sort of thing that might have been edited out in the Hinchcliffe era (I'm thinking back to a drowning Doctor and a knife-throwing Leela).

Monday, September 20, 2021

The King's Demons Part One


The one where the TARDIS interrupts a jousting match...

We've arrived at Doctor Who's 600th episode, in its 20th year, which seems fitting. It's also the last classic series story title to feature a punctuation mark (there's also Warriors' Gate and Time-Flight, as well as a handful of Hartnell episodes such as World's End and Devil's Planet).

The now traditional Davison two-parter kicks off with money on the screen. The opening scene of Sir Ranulf's dining hall is a splendid mix of set design and glass shot. It's populated with plenty of extras, costumes and set dressing are spot on, and there's even a couple of wolfhounds to add colour. In fact, throughout this episode I feel as if director Tony Virgo is trying his hardest to spend what was probably a modest budget as aesthetically as possible. It just looks gorgeous, thanks to the talents of set designer Ken Ledsham (echoing his work on The Ribos Operation) and costume designer Colin Lavers.